Why does everything have to feel so right?

A sketch by Ferdinand Horvath

A sketch by Ferdinand Horvath from the book "They Drew as They Pleased Vol. 1: The Hidden Art of Disney's Golden AgeThe 1930s"

My name is Elisabeth Svendby Holen. I got the last part added on when I got married 18 months ago, at the age of 46, and it feels RIGHT. I never thought it would, but it serves its purpose. I want to share the family name of my new family; my husband, and my stepdaughter. We are a forever unit, and I love that. I will keep my birth name in my art though. I will sign my paintings with Elisabeth Svendby, how I was born, and that also feels RIGHT. 

Now to what never feels right, although I keep taking others advice, and trying it anyway. When I first started my art business about 8 years ago, I was used to making brands, in my web designer career. So the first thing I did was create a fun brand with a catchy name, "Ella By". After a while though, I just could not seem to make it work, and I switched back to using my real name again on everything. That time I also signed my paintings with Ella By. Signing with my real again name felt so right.

After a few more years of "being myself" again, I wanted to boost my business skills and signed up for a 3 month course, that came highly recommended. I loved the course. In the process, and while trying hard to succeed in the course, I put on my designer hat again, and was persuaded to change to a simple business name, that was easy to remember and type. This time I went with abbreviations, and ended up with Studio Elisa S. I tried to get used to it for almost a year, BUT, it never felt quite right. I felt like a desgin store. Whenever I met people, had open studio, or talked to people about my art, my website and my brand, I felt that naging feeling. People kept asking what I wanted to be called, Elisa or Elisabeth. I have always called myself the latter, however much I have wanted someone to give me some sort of nick name. Something was off.

I am not saying the teachers were wrong, but it was wrong for me. So, right now, I am changing it all back. And it feels really great!

So the lesson is that before I make big decisions like this, to sit on my hands and calm the freak down, get some perspective, ask some people I respect and take a good hard look at my own gut feelings about it. I have to remember to ask myself what feels right for ME. Luckily, I never stopped signing my paintings with my real name, which is a relief. No real damage done!

So why does it have to feel right? How come a business expert can't make this decision for me? This project of making and offering my paintings to the world, is a highly personal one. I work very hard to stay true to my own feelings, likes, dislikes, and make sure that I absolutely love what I make. I have programmed alarms to go off whenever I feel something is inauthentic to me, or like I am not loving it. So whenever I meet people and have to introduce myself as someone I am not, those alarms go off. That is not something that I want happening if I can avoid it. So whenever it does, I need to fix it before it throws my whole practice off course. This is what I am doing now. I hope you like it, because it's staying ;)

Thank you for reading my little story, and putting up with all the back and forth!

Love,

Elisabeth

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Calendar 2025

A collection of drawings on paper, mostly from my sketchbook, made in the summer and fall of 2024. This is the beginnings of my exploration into all the sides of being human.

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  • Exhibition 6-8 December 2025

    Exhibition 6-8 December 2025

    Elisabeth Svendby

    I am excited to announce my upcoming exhibition at Dugg, Oslo. It will feature a collection of framed drawings on paper, made in the summer and fall of 2024. This is...

    Exhibition 6-8 December 2025

    Elisabeth Svendby

    I am excited to announce my upcoming exhibition at Dugg, Oslo. It will feature a collection of framed drawings on paper, made in the summer and fall of 2024. This is...

  • Don't you just love drooping branches?

    Don't you just love drooping branches?

    Elisabeth Svendby

    I will not deny it, I am a big kid! At least when it comes to visuals. If I were asked, I would move into the forest of Show White,...

    Don't you just love drooping branches?

    Elisabeth Svendby

    I will not deny it, I am a big kid! At least when it comes to visuals. If I were asked, I would move into the forest of Show White,...

  • A sketch by Ferdinand Horvath

    Why does everything have to feel so right?

    Elisabeth Svendby

    A sketch by Ferdinand Horvath from the book "They Drew as They Pleased Vol. 1: The Hidden Art of Disney's Golden AgeThe 1930s" My name is Elisabeth Svendby Holen. I...

    Why does everything have to feel so right?

    Elisabeth Svendby

    A sketch by Ferdinand Horvath from the book "They Drew as They Pleased Vol. 1: The Hidden Art of Disney's Golden AgeThe 1930s" My name is Elisabeth Svendby Holen. I...

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